Takako Copeland is a Japanese illustrator and printmaker based in London

Takako Copeland is a Japanese illustrator and printmaker based in London. She grew up in the Japanese countryside, surrounded by nature, which made her especially conscious of the changing seasons and inspired her to create with colour.

After completing a graphic design degree from Central Saint Martins, she began working as an illustrator building up images with layers of colour, drawing her towards Letterpress and Riso printing techniques. Takako is interested in exploring illustration work that addresses important issues such as the environment and climate change.

Her work often focuses on diverse characters, domestic scenes and family life and she would describe her style as vibrant, joyful and humorous.

Here’s where we find out more…

What would you say is your best piece of work/collaboration to date, and why?

Illustrating non-fiction title "Stitching Freedom" by Common Threads Press". Illustrating radical history through embroidery was a meaningful experience. I had the chance to draw suffragettes and felt proud to see the books sold at the Barbican and Tate shops.

Where do you like to go to be inspired, or how do you find your inspiration?

I like spending a quiet time at home so I like sketching domestic scenes. I sometimes sketch people at climbing walls. Observing people and sketching could be a source of inspiration for me.

Is there anything you'd say you would be a good advocate for? Please elaborate if so.

My experience as a Japanese person living in East London has given me exposure to cultural differences, making me well-grounded, open-minded and curious to interact with communities out here. My interest lies in exploring the subtleties of human relationships, how people interact, navigate differences, and show respect for one another. These experiences made me conscious of diversity, representation and mutual respect.

What would you say sets you apart from other illustrators? Something you feel is unique to you.

I work from a studio where I have access to printing presses. I can merge traditional printmaking techniques with letterpress to add depth within my illustration practice.

How would you describe your style?

I frequently employ traditional printing methods, such as Lino cut and Risograph printing then combining with digital tools to create playful and engaging images. I also blend aspects of Japanese culture when appropriate. Being a printmaker, I think about building up an image with vibrant and harmonious colour layers this helps to create distinctive texture and depth to my work.

Please give a scenario of a project that would mean the world to you, if you were offered it - something that connects to something meaningful to you.

I’d love to work on a project that connects more closely to my cultural roots one day. Especially with the growing presence of the ESEA community in East London. It’s exciting to see both younger and older generations exploring and celebrating our heritage, such as small home kitchen businesses built on family recipes to broader cultural expressions. I’d love to deepen my knowledge in this area by working on cookbooks or cultural guides that highlight these stories and traditions.

If you’d like more info, please contact: [email protected]

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